In this sparkling political romantic comedy from Afghanistan, a camerawoman disillusioned with love is surprised to find herself drawn to the country's leading journalist. Kabul, 2021. In the lead up to the Taliban’s return to power, Naru is the sole camerawoman at Kabul’s main TV station. Having left her cheating, abusive husband, and struggling to gain custody of her young son, it is no wonder that Naru feels that there are " no good men " left in Afghanistan. Assigned to a major news story, she partners with journalist Qodrat, and an unexpected connection forms. Adeptly playing with rom-com conventions, with the backdrop of a society on the brink of tumult, Sadat has made a film as daring as it is delightful.

Winner, Camera d'Or, Cannes. This emotionally powerful exploration of a reconciliation process following the Rwandan genocide is one of the year's most acclaimed debuts. Rwanda, 2012. While some prefer to leave the 1994 genocide against the Tutsis in the past, its impact is inescapable. People seek justice and reconciliation, though resistance remains. In Kibeho, survivor Veneranda attempts to bridge seemingly impossible divides between victims’ and perpetrators’ families, who still live side by side, in scenes of staggering impact. When her teenage daughter becomes pregnant, Veneranda herself is forced to confront her own past and family secrets. Amongst the struggles, Ben’Imana ultimately shows a path toward healing and peace.

A mighty gingko tree in a German university town witnesses the intertwined lives of three generations. In 1908, a pioneering botanist becomes the institution’s first female student. In 1972, two classmates bond over a geranium in politically charged times. In 2020, a lonely neuroscientist (Leung Chiu-wai), stuck on campus, seeks meaning from the tree’s electromagnetic signals under the guidance of a French biologist (Seydoux). Returning in resplendent form, Ildikó Enyedi crafts a perceptive, time-spanning exploration of humanity’s enduring connection to nature.

Lured onto an island by an old friend under false pretences, down-and-out writer Amos (Aussie stand-up, Ivan Aristeguieta) finds himself stranded on the 'arse end of the world'. He quickly learns that on this mostly unremarkable stretch of land, today is just like yesterday and tomorrow doesn't exist. In order to escape Amos must discover that his petty grudges might also be his salvation. Shot on location in Tasmania, expect the unexpected from this quirky new indie comedy.

Lee Jooin (Seo Su-bin) is an exuberant high-schooler, who enjoys gossiping, taekwondo and community volunteering. When a classmate starts a petition regarding a child sex offender’s prison release, it resurfaces painful memories for Jooin. One of the top Korean films of 2025, selected for Toronto and BFI London, The World of Love achieves a remarkable balance of humour and pathos in its delicate handling of a traumatic subject.

Four years after the events of Spider-Man: No Way Home, Peter Parker is no more and Spider-Man is at the top of his game keeping New York City safe. Things are going well until an unusual trail of crimes pulls Spider-Man into a web of mystery larger than he's ever faced before. In order to take on what's ahead, Spider-Man not only needs to be at the top of his physical and mental game, but he must also be prepared to face the repercussions of his past!

When young Brian discovers plans to close a convent of delightfully eccentric nuns, he sets off with them on a wild road trip across New Zealand to save their home.

Christopher Nolan’s ,The Odyssey, is a mythic action epic shot across the world using brand new IMAX® film technology. The film brings Homer’s foundational saga to film screens.

United by the unexpected inheritance of a house in Normandy, four estranged cousins discover their family history by retracing their ancestor's steps.

Joe and Angela’s marriage is on thin ice. When they invite their enigmatic upstairs neighbors for a dinner party, the night spirals into unexpected places.